One of the great things about break was that I had the opportunity to see some great art films that are had to have access to here in Rochester. Many people don't know these flicks, and all of them had issues of note (especially to jucispeakers). Here's what I saw and why they mattered:
This is the riveting and beautiful story directed by Tom Ford about being gay, being heartbroken, and being invisible in the 1960's. The story is basically a one-man Colin Firth show about the suffering he incurs after the sudden death of his partner (played in flashbacks by my personal favorite British hearthrob, Matthew Goode) It deals with some major issues in American conservative culture- how Colin Firth's character couldn't go to his partner's funeral, and the family didn't even tell him about it, as they didn't approve of their relationship. It's how being gay in America meant that you were invisible, that you lived in between the cracks, and that you had to defend your right to have valid relationships. The clincher in this comes with Julianne Moore, when she says that Colin Firth's boyfriend was just a minor dalliance, nothing loving and long lasting. This is the kind of the conflict that had to be dealt with- homosexual love is true and as valid as heterosexual love. We're still dealing with it today. Aside from absolutely stunning design elements, I thought it was a beautiful, albeit depressing movie, and I would recommend it to anyone who has affinities towards gay rights, Colin Firth, or the 1960's. (As as a side note, the movie also features the grown up Nicholas Hoult, the infamous boy from "About a Boy" as an amorous student.)
This is a really interesting movie as well, more for women's issues and education. A young girl's parents are very conservative, insisting that she only study and that she absolutely must go to Oxford. She isn't allowed to listen to music, or go to concerts, or have a life, until older man David takes an interest in her. David wooes her and her parents, and Jenny begins to think that her family obsession with Oxford is a little shallow and useless. Jenny falls head over heels for David and begins to slide in her studies, only to discover later that David was not all he was cracked up to be. At the end of the debacle, Jenny has to reevaluate her own desires, and decide whether she wants to be a wife or a scholar.
While occasionally a little racy, I did enjoy this film, and I thought it had lots of relevant woman's issues. After recently watching Julie and Julia, in which Paul Child was extremely supportive of Julia's endeavors, I had been curious to see how women in the 1950's and 60's were empowered or challenged. This movie gives both sides of this issue- Jenny is smart and hardworking, and is encouraged at school, however her parents deny her the possibility that cultural enrichment are useful in one's studies. When it seems that she might be marrying David, her parents say that she doesn't need to go to Oxford, which really upsets her. She doesn't understand why education was so valued when she could've just been married instead. At the end of it, she puts her own education first, above anything else, and learns more about her priorities than anything else.
Acting was good, with a screenplay by Nick Hornby, and featured some really beautiful and interesting scenes, as well as some really funny ones.
I'll say the least about this movie, since most people have heard of it. It's a heartbreaking story about a young woman who is illiterate, whose mother is abusive, and whose father raped her multiple times. (She already has one of his children and is pregnant with another one). She gets kicked out of normal school for being pregnant, and has to go to an alternative school where the teacher takes an interest in her and helping her. Precious learns to read and begins to understand that she can't be with her mother anymore. She leaves home and looks for somewhere to live after she has the baby, and looks for a new life, away from the one she has known so well.
Obviously, this one is majorly sad, because it's never fun to watch abusive parents at work, at least not in my experience. Mo'nique, as her mother, is amazing and terrifying, and for me, it was great to see her in a real movie role, as she was in "The Moesha Show" as well as many movies that I'd never see, such as "Phat Girlz." (need I see more?) This movie completes our triple header of movies because it shows how one's persistence can overcome great strife, both personal and gendered. Precious is told that she is stupid and will never succeed or be loved, and she knows that's not true by the end of the movie. While it's the ultimate tearjerker, it's also a very good, harrowing movie that will certainly make you reevaluate your problems.
listening to: sara lov
1 comment:
You got to watch these movies that I’m covering on my blog Extraordinary Measures http://cbt20.wordpress.com/2010/01/12/biotechnology-in-the-media-8/ and Daybreakers http://cbt20.wordpress.com/2010/01/08/biotechnology-in-the-media-7/. They look excellent.
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