Sunday, March 28, 2010

Melan Collie, Solitude, and Living the Live you Never Planned on

Yesterday, I saw the newest Noah Baumbach movie "greenberg," which was a sometimes tragic, sometimes annoying, and sometimes beautiful story. I don't know that I can really summarize the movie exactly, except that the main character is an epic asshole, and that I hope I'm never as narcisissistic as he is. I did enjoy the movie, but if you're not intrigued, you can definitely wait until it's on DVD. However, there were certain elements of the movie that really resounded with me, and were shockingly relevant to the events going on in my life, and my friends' lives.
The line that most connected with me was this concept of "living the life you didn't plan on." Whether that relates to your career, your love life, your friends, your personality, or your deeds, it's a powerful thought.
This contemplation of one's life seems to happen to most people somewhere in their mid-twenties to early thirties. In college, you had dreams and plans and then after school, they failed to deliver. Or you had an amazing girlfriend/boyfriend, and you broke up, and now you feel like you're right back where you started, and that you're never going to find someone that cares about you. Or you start to think that you will always be alone in this world, and that the people you care about and the friendships you build will always dissolve in time and distance just by the nature of constant relocation. Or you start questioning your family's views, your spiritual background, your sexuality, and anything else you've depended on for most of your life. The bottom line is that most people's lives are entirely in flux throughout their twenties and some of their thirties.
Some people get married early and get a job that they end up loving for 40 years, but for most people, have no idea what to expect year to year. It's this ambiguity, this limbo that causes people to feel like their lost in the world, when in fact, they are just as lost as everyone else. The catch is that we ARE alone-no one will ever know us like we know ourselves. Yet, we are not alone- everyone and everything is connected. It's this strange balance, a koan of alone/not alone that we address everyday. By relinquishing our youth in our twenties, we end up having to deal with issues that we've been hiding from for decades: our beliefs that we may be unlovable or that we will never be "good enough." (Sometimes people just never grow up, and like to avoid these internal conflicts. Lucky them.) The weird thing is that chain of fear, doubt, and insecurity is circuitous- you feel bad about yourself and avoid seeing people, even though the one thing that would cheer you up would be to see people. Or you stop playing your instrument because you feel you are inadequate, when in fact, playing would nurture your soul, even if it doesn't match up to an external gauge of success.
Everyday, we tell ourselves things. Culturally, we look down upon schizophrenics, claiming that only a select few people have voices in their heads. We all have voices- voices that support us, that knock us down, tell us we sound bad, compare us to other people, etc. The real test is how we react to those voices, whether we listen to them and let them shape our lives, or whether we punch them in the face. For me, it depends on the day. But these voices are relying on a preconceived outcome of every given situation, to tell you how things are going to go. "You won't perform well on Wednesday because you always have problems with memory/sound/etc." or "You have been single for most of your life. What would change now?" However, the voices don't know anything more than the universe itself. Your future, your life, is not written down. You are in control of most of your life, and the way you choose to react to the events in your life.
When I was a kid, I used to imagine that my life was a chapter in a very large book, and that some unknown intangible being knew how my life was going to unfold, and that I just had to wait for the pages to turn. I imagined a sort of impish creature readying my life as a very riveting piece of biographical material, perhaps a sort of Dobby (hp) creature. While I still hold onto the vestiges of that, I have more of a fantastical approach in my mind, in that I possess a mythical pen (preferably a quill and some glittery magic ink) and that the words fall onto the pages of my life with my own decisions. In my sleep, I bleed the actions of the day onto this invisible book, and I begin the day with no recollection of this transference.
(I've been thinking about this sort of thing a lot lately, as it has been exactly a year since my
tendonitis debacle which ultimately ruined my second semester. So much of what I suffered through
was self-created. While the pain and injury was not, I knew that my perspective was not helping, and
in retrospect, it was a very valuable thing to have happen. Lately, I've been trying to remember how
awful it felt to not play, and how miserable I was without my expression and my viola. That was
certainly one of most unpleasant periods of my life, at least since middle and high school, and I'm
really glad I survived mostly unscathed. It is the apotheosis of this solitude that I am thinking of.
I felt so alone- as though no one could understand how I felt, and as though all of my work and studies
amounted to nothing. That kind of blackness began to permeate all of my life- everything just became
gray and hopeless; my classes sucked, my job was rough, the weather was depressing, and I didn't
have anything to do. I only wish I had so much time to think about things today! This year has been
the complete opposite, and while I still have issues, my overall state of being is much more stable,
and I feel less like a buoy floating untethered in the ocean. Yes, some of those issues still apply:
I don't have an absolute plan for my life, nor do I have a significant other, nor do I have unanimous
approval from summer festivals and teachers. Yet, I have small things- small glimpses of support,
love, and success and that's all I can cling to. I am a planner- I like to be organized. And nothing
that has happened in the last two years has been planned. I am only starting to look forward to
it.)

While this still doesn't ameliorate this quarter-life crisis, a few main points come to mind:

-That we can embrace each moment of life, in all of its glory, pain, and neutrality, and look forward to each moment.
-That none of us is ever as alone as our minds let us believe.
-That every person, no matter how great their flaws, is loveable. (There was a really funny preview for a movie in which the male character meets the woman of his dreams, and he says something along the lines of "Why would you want me? I'm like shrek of the forest. Why is there a beautiful maiden in the swamp?" That made me chuckle.)
-That nothing is ever certain, and we have to be comfortable with that level of ambiguity, doubt, and possibility. With uncertainty comes the possibility for random occurrences- certainty is predictable and entirely dry.

While I wish I could know how my life would unfold- whether I'll find the man, job, or viola of my dreams, I'll embrace the live I never planned on. It's all I've got.


Saturday, March 27, 2010

The News

So I've been neglecting the blog, or at least the blog as pertains to me life. Points of order:
1) Yay for health care! Down on all of those people who seem to think we're all going to be euthanized, or that Obama is planning on the next apocalypse. Chill the fuck out, people! Things are not changing that much- most of america will still be on private health insurance- they might just pay less. I realize that may conflict with your socialist, anarchist views, but the rest of us need something to take care of us when Marx isn't.
2) Yay for kicking into forearm balance on my lonesome!
3) Yay for going to Quebec in May, and spending some quality with the one, the only, MARY-KATHRYN. I got off the waitlist for Domaine, which means I'll get to do some intensive Beethoven quartet time, and some time in my favorite of all the Canadian provinces.
4) Yay for going to Toronto to see Vampire Weekend on Tuesday, even though I'm ditching ensemble and must get gravely "ill" to get out of it.
5) Yay for sunshine, boo for 30 degree weather.
6) Yay for deciding on going back to Banff in July. After having a tough decision between Banff and bang on a can, I decided on Banff, since the wilderness is calling to me. And it's cheaper.
7) Yay for some super sweet offers of my future:
a) Yizhak Schotten, the slightly nutty teacher of University of Michigan wants me to be his TA at this random summer festival in Santa Barbara. I played in a masterclass for him last week, and I guess he liked it. More details to follow.
b) There's an open teaching job at SUNY potsdam teaching viola as secondary instrument to Music Education majors, and Carol suggested I apply. It would mix up the whole "move to Boston" plan, at least for a semester, but it would be a sweet gig. ($12000+ for 1 semester) I have applied-we'll see what happens! (This does mean that I wouldn't move until January, if this happens...we'll talk, Ju.)
8) Yay for my new hot pink flats- $10 at urban. yes. they're awesome and you want them.
9) Two boo's for the fact that many of my friends are waitlisted at Banff, as I want to spend time with them. And boo for the fact that I have a shit ton of homework these days, and I'm playing a whack ass contemporary piece for someone, in which half the battle is figuring out the rhythm.
10) 1 boo for a difficult week of sleep, perhaps due to watching "Zodiac" on sunday night...

Total for the week: 8+ yays. a few boos. Overall, a successful week in the life.

Wednesday, March 17, 2010

Favorite Pyschedelic Duds

Can I get some of these swirly neon clothes?




And this video by Of Montreal makes me chuckle.
I also enjoy this song by Yeasayer, but the video isn't quite as amazingly awesome.


This is one of the freakiest videos ever, featuring Joanna Newsom as a super creepy suburbanite mom and this poor baby is assaulted by freaky creatures.

I can always count on MGMT to have some weird ass videos- check out "electric feel" for more crazy duds.
Moral of the story: men who love dresses, pink, neon, long hair, eyeliner, and crazy ass clothing are attractive. Androgeny is in.

Contemplating My Relaxation

I had my first (of probably, at least a few) New World Audition this week. And it was ok, actually. The solos were way better than I expected, and the excerpts a little dodgier than expected, but all around, a solid B experience. They were very nice, and I'm realizing that I don't totally suck at excerpts, even if the snarmy coach here acts like I do. I have a few goals for the next year, and one of them is gaining confidence in playing excerpts for auditions. It's so silly that I love playing music for people, even in an audition situation, but I freeze up and get all mechanical in excerpt time, because I feel like everyone is just waiting for you to fuck up. (And well, that's sort of true.) But, I think if I have a more supportive excerpt coach, I may be able to eliminated the negative psychological repercussions of this year's excerpting. Because it's silly that I'm so confident and expressive in regular music, but that I freeze and panic in excerpts, either because I've had such harsh coachings, or because I believe internally that I am just not good at them. It is time to arrest that notion and to move on!
In other words, I'm vacillating between relaxation and minor stress (nothing compared to the last few months, though) because I have to play a few (guess what?) excerpts in a master class today, and because our contemporary ensemble is performing a bitch-ass-hard contemporary piece, and I haven't been to many rehearsals, and I'm petrified. (Wolfgang Rihm=freaking scary German shit, with somewhere between 12-32 notes per bar. No good.) I'm also really looking forward to my recital, once I get everything learned! I just have to finish off the Bach and learn the whole Shostakovich, which should definitely be doable, based on how long it normally takes me to learn things. I'm also a little bummed that I was wait-listed for Lucerne and Domaine Forget chamber music, but I already have answers in my mind:
a) Molly and Rose got into Lucerne, and they are quite a bit older than me, meaning that they are rather close to the cutoff age for that, and I'm pretty far off, so I can still try again.
b) I'm not Canadian, nor do I go to McGill or Glenn Gould, nor do I know any of the Domaine faculty. They also only take a handful of violas, and I imagine many of them keep coming back, so...
But honestly, I just wanted to go to a free festival, since I've never gotten into one before, and I've never really gotten into anything special or awesome before. Oh well! Now, just to decide whether to go to Banff or Bang on a Can. (Mountains/4 star resort or potentially good experience playing contemporary stuff?) TBD.
For now, I'll just keep being lazy.

listening to: the free urban outfitters samplers LSTN 8

Sunday, March 14, 2010

Bodhi

Bodhi:Bodhi is an abstract noun formed from the verbal root budh (to awake, become aware, notice, know or understand,in early Buddhism, bodhi carried a meaning synonymous to nirvana, using only some different metaphors to describe the experience, which implied the extinction of raga (greed), dosa (hate) and moha (delusion).
Bodhi Tree: The Bodhi Tree, also known as Bo (from the Sinhalese Bo), was a large and very old Sacred Fig tree (Ficus religiosa) located in Bodh Gaya (about 100 km (62 mi) from Patna in the Indian state of Bihar), under which Siddhartha Gautama, the spiritual teacher and founder of Buddhism later known as Gautama Buddha, achieved enlightenment, or Bodhi.
(thanks wikipedia)
The yoga studio that I go to is called the Bodhi Tree. The theme for this 8 week session of class is bodhi, in the idea of awakening. Spring is a process of awakening from a layer of snow and cold, a process of living, growing, and absorbing the sun. The days are getting longer, and thank goodness, brighter. My plants are starting to really shoot up, and as I watch my tulips and daffodils crank it, I begin to feel the optimism that envelops spring and then summer. With warmth comes the end of class and school, and beginning of relaxation, learning, and revelry-how my body aches for that unstructured time! I have basically been going full-throttle practice practice practice since the fall, and I'm overdue for a vacay. So, I'm taking this chance to awaken from the grey overhang that is winter and to reevaluate. What can we discard from our lives, to make ourselves happier? What parts of our bodies, minds, and perceptions need awakening?
I know that my spine needs awakening, if nothing else, and that it's time to do some serious spring cleaning in my apt, especially since I'll be moving in the next few months. But more seriously, we can awaken to what we offer in this moment. Rather than judge the challenges that lay before us, instead embrace this actual moment. Rather than worry about your future, prepare for now! Awaken to the present moment, whether that is typing, resting, brushing your teeth, or practicing. Remember that happiness is always available to you, no matter what your "problems" are. I may be stressed about my future, but I take comfort in watching the sun feed my plants, or the way the guinea pigs devour hay. Feel yourself being nurtured by others, by the kindness and support of those around you, even when your internal state is complex, and awaken to joy and love.

"The past is gone, the future is not yet here, and if we do not go back to ourselves in the present moment, we cannot be in touch with life."

"Waking up this morning, I smile. Twenty-four brand new hours are before me. I vow to live fully in each moment and to look at all beings with eyes of compassion."

"Peace is present right here and now, in ourselves and in everything we do and see. Every breath we take, every step we take, can be filled with peace, joy, and serenity. The question is whether or not we are in touch with it. We need only to be awake, alive in the present moment."
Thich Nhat Hanh
photo.jpgphoto.jpg(look at these little buds of greenness popping up. Go daffodils, go!)

Wednesday, March 10, 2010

My Trip to Georgia by the Numbers

Inspired partially by my high school newspaper, which had a stats page, and partially by a recent post by another friend, here's my trip to Athens in numbers.
Tofu Baby's Car.


Number of days in Athens:4
Number of biscuits consumed: 3 (with vegetarian gravy!)
Number of Meals with Fried Food: 4
Cups of Coffee Consumed: 7 (bad call-not enough sleep)
Number of Croissants eaten: 2
Number of Saxophone Events attended: 5 (out of about 100...)
Average Daily Temperature: 58
Days of unfettered sunshine: 4
Number of Hours spent travelling (total): 18
Number of Pages Read: 168 in "Pride and Prejudice and Zombies", 2 in "the Power of Now"
Avg Daily Viola Practice: 1 hr 45
Hours of Guilt About Lack of Practice: 1 hr (cumulatively)
Number of Socks Brought: 2 (not enough!)
Number of Crucial Things Forgotten while Packing: 4 (fingernail clippers, tweezers, socks, toothpaste)
Number of Tires Blown: 1
Hours spent having fun: 30

Overall, the trip was a success. I really enjoyed the sun, the south, and the awesome food! I also got rather motivated to attend the Int'l Viola Congress, which seems to be in the cards, now that I've been rejected from Sarasota for 4 times now. Wooh! (The two events conflicted- the congress is in mid June in Cincinnati.) Anyway, now, I'm just trying to shred some viola for Monday's New World humor-fest, and enjoying the direct sunlight in my apartment, which is rather rare for this state. I seem to have brought back the warmth, which I'll take.

Listening to: Owen Pallett


Tuesday, March 9, 2010

Words of Wisdom from the Trenches

My awesome pianist friend wrote my a very eloquent email last night in response to my blog, and I thought, since it's a hot topic, that you all should read it.

Hi Kayleigh,

Are you back in Rochester? It’s been sunny! and it’s warmer! I hope you don’t mind that I’m commenting on your blog post. As long as we are musician and are seeking a career in music, we share and struggle with this “endless” topic, I believe… So, here I wrote what I think about it and answers to some of your questions.

Fact 1: I get more rejection letters than acceptance letters. –but, I don’t actually remember them(rejections), because it’s not worth thinking about people who rejected me!
Fact 2: I was told to quit piano, because I suck at it, when I was in high school. –It took my entire undergrad to believe in myself again. And, I was told the same thing again by a different person much later, too.
Fact 3: I thought of quitting piano again in my masters at NEC, because I was very depressed by the fact I was not one of the successful ones in what I do.
Fact 4: Here I am in my doctoral study. I’m still striving for the same path of what I want to do.

Do you know exactly what you want to do with music and in your career? Can you picture yourself what kind of every day life and where you would be in 3 or 5 years? If you could answer this question (whatever the answer is –so many people end up with wherever his/her love-partner is.), I think, you are done.

I often think of some other people’s fact too: for examples, 1) my admirable current teacher, she did not settle until about 10 years ago, 2) my amazing studio pianist who won the CAG and has concert tour all the time, she now has to find a real management in order to continue her current concert-life. And, she will be facing to the pressure throughout her life if she wants it.

--"Do these festivals realize that so many of us tie our sense of self-worth with our ability to be successful in this front? Do these people know that hearts are broken because of this?" –It’s not worth thinking how much they care about our internal state of hapiness. I have an unopened rejection letter in my room, which I will never open…

--"How can we, as the sometimes rejected, keep up our sense of self-worth when we are constantly rejected from festivals/programs/more?" –Musicians need to be (or try to be, if you are not naturally one of these people) SELF-INDULGENT, so that you can keep believing in what you do.

--When do we acknowledge that point? The tipping point between dreams and reality? --you don’t stop trying unless you decide not to anymore. And, I think it’s important that somewhere in your mind you SEPARATE your music and your career progression. Ideally, The reality should always reflect what you deserve though it clearly does not work that way all the time. You should love what you do regardless of what’s happening to the reality.

I really want to tell you that it is my honest feeling that I was not disappointed by the result of CAG last year. Of course, I was mad, but sad. Because, at that time, I knew I made some progress in my playing by having a chance to compete in the competition, and I wouldn’t have been able to make the progress unless I did it. And, my self-improvement mattered for me. I will try again...

When I was depressed in my masters, I couldn’t save myself then. It was actually the time I met more local jazz musicians in Boston, found to do improv, and did more outside gigs. And, I just LOVED playing wherever and whatever music. Playing in church masses has been equally important in this regard, because I can do improv there!

Ah, one more question.
-- would you be very happy during that search? --I'm quite content now with what I'm doing. Well, a bit overwhelmed by how much I have to do in school perhaps... But, I get worried when I'm not busy.

Here are some thoughts that my mom taught me and I still believe in.

If you believe in what you do, you will eventually succeed.
If you don’t dream of what you want, you will never become of it.
The effort and the time you devoted for the thing you desire will never be wasted. You will get what you deserve in the end.

Do you think it’s silly to believe in them? I'm curious to know what you think. You can completely deny my thinking, because this is totally depending on my current thinking and my experience so far. I don’t know how I would be thinking differently next year.

Hope this isn’t an annoying long letter for you. I couldn’t help writing, because we all share this topic.

Futaba

I love her response and hope that those of you who are feeling lost and frustrated musically will continue on your journey with more courage and belief in yourself!

Thursday, March 4, 2010

It's that Time! Rejection Fest 2010!

Yes, it's rejection fest 2010, folks! While I may have scraped by with just a total of 6 pfol's it is not time for my friends to get the same experiences that I have been coping with since January.

PFOL: please f*ck off letter. AKA: a rejection letter. Anyway, it's time for the summer festival rejection season to reap its damage on the innocent, the naive, and the well-intentioned musicians of the world.

Fact: most festivals have less money=less acceptances=more applicants=more unfortunate outcomes

Fact: most professional music related things are as much political as they are audition based. (I can't prove this one with money, just with experience.)

Fact: Each PFOL chips away at one's sense of self-worth and ability to ever succeed at music. (i.e. "If I can't get into festival X, I'll never get a professional job with orchestra XY.")
The question I want to ask is, "Do these festivals realize that so many of us tie our sense of self-worth with our ability to be successful in this front? Do these people know that hearts are broken because of this?" And I suppose more pertinently, "How can we, as the sometimes rejected, keep up our sense of self-worth when we are constantly rejected from festivals/programs/more?"
I can't answer any of these questions, and I can't allay our frustration with rejection. I can only hope that what I do, what you do, and what we do together, is a meaningful and worthwhile thing, and that it makes the world a better place. We also have to know that there may be a time when what we want in music is simply not possible. And that is a heartbreaking thing to realize, but we may have to address it eventually. When do we acknowledge that point? The tipping point between dreams and reality? I don't know-perhaps when it feels right. On one hand,it seems like one could go on forever and apply for things and never keep hoping for success, that one hidden acceptance, but at the same point, would you be very happy during that search? When does one reconcile external and internal states of happiness? You can be very happy when external things are succeeding, or be very solid internally, spiritually, when music things suck. Perhaps we have to acknowledge that these two realms are independent, but in the end, we are only our internal selves, not our external selves. Our happiness and worth as a human being should not depend on what we are accepted into, or rejected from, it should be the things we do in the world, and the way we act.
While I'm still bothered by the outcome of some of my auditions, we have to keep on, and remember that somebody still loves us and that we don't totally suck at life.

PFOL count: 6
Yale
Colburn
Prussia Cove
Yellow Barn (it was only a matter of time)
The Academy
Community MusicWorks

Self-worth: 8/10.

Currently listening to: Owen Pallett (aka. final fantasy)